The acoustic is a rather nice, moving thing, and it almost carries along the listener. Could well have been arranged a bit more sharply, I guess, but it nonetheless does a surprisingly good job of fitting the album. Closing the album is a track that would kickoff what would become the official LaBelle sound heard on their next 4 albums. The first song of the album, « German Overalls », is one of the saddest songs I’ve ever heard, giving an impression of some of the reasons for the dissolution of the band. Some of this stuff would could’ve easily been on a VDGG album albeit rearranged for the group. Though Tina Turner was one of the few women in rock, the ladies of LaBelle were giving us their own brand of rock infused soul–most of it composed by group member Nona Hendryx, in addition to compositions from Sarah Dash and Patti.
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The second work announced in « Cameleon in the shadow of the night ». Closing the album is a track that would kickoff what would become the official LaBelle sound heard on their next 4 albums. It’s nine minutes and twenty-four seconds long. I’m rounding to five. Subtle, and understated, and beautiful.
The vocals exhibit all of Hammill’s griupe. Melodically the music shows a strong link with VdGG, but you won’t find many slightly distorted organs and impressive drums.
cameleoj.rar The power and the might are there, the vocal extravaganza is there, the furious sax notes are there, the tortured vocals are there, the « loose » improvisations are there. It begins with piano,flute and vocals.
The contrast of loud and mellow continue.
CHAMELEON IN THE SHADOW OF THE NIGHT
Sax before 3 minutes. What is the same? These ladies were giving us material that had a message about what was going on in the day. Fine mellotron as well played by him. This Record is Peter second solo release but it is his first release as a solo Artists and so in many ways it marked a debut of sorts. This was the birth of « Sofa Sound » and Peter’s efforts in the emerging subject of home recording.
Moon Shadow — LaBelle — Gem Of A Jam
Other bandmembers often play background roles, whilst Hammill openly explores his vocal capabilities in a pioneering fashion. When the band decided to tour, some of us left and the rest cut the second self-titled album which benefited greatly from the band having played live gigs together. Great stuff this album was on my wishlist for a while camekeon.rar i was not disapointed.
Tasteful piano additions and ambiguously quiet electrics mark the piece, including an extended, cleverly arranged instrumental conclusion geoupe bridge. It’s a well-worn theme in rock and roll, but as usual, Hammill’s imagery is so vivid and his delivery so compelling, it’s hard cameleon.rad to wlbum his pain. Because this was recorded in a time where musical jam sessions could be considered part of what makes the record. Truly dark and astonishing songs.
More importantly, the song contains a rare moment of pure electric-guitar rock in the middle, and that remains, after all the various forms of music I’ve picked up since first getting into it, one of life’s simplest and most life-affirming pleasures. Not everyone’s taste but authentic and rewarding.
LaBelle did mostly their own material at a time when girl groups were 1 dead, and 2 sang songs usually written by men, about love, and boys, and other pubescent fluff. The four-track system provides one or two self-harmonies and sound effects a bit more like Hammill’s later musique concrete experiments.
Easy To Slip Away is entirely different. Howie added horns from Juillard, and we were just going to be a recording band with Otis as singer.
Posted by Julian Ryan at They are full of very serious matters, and when your life is as well full of serious events, you rathe One of the most unique and outstanding songwriters and singers in progressive rock, Peter Hammill, has recorded his second studio album in It is still the few pieces that can have some relation with the band that I prefer the most here.
The vocals include occasional moments of harshness and highness, but are by and large a very low-key feature. He reminisces about a girl he used to know. Other sites in the MAC network: Luckily Hammill is not so much about stylistic perfection as he is about intensity, creativity and integrity.
Copyright Prog Archives, All rights reserved. Though the lyrics are again intelligent and moving in a sort of, the vocal performance accompanying them is so very strong that it almost escapes them, making every use of his high, fluctuating, stylised and backboned I know what I mean, you probably don’t: Results cached 12h Items ordered by ending time Showing all 21 items. I might be the worlds biggest Horn Rock fan. They both get louder at times.